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Julian Evetts(a75-p10)

Julian Evetts

Pass/Thagard A75 Goes Mono Computer Case Amp As Nelson Pass says, the chassis is often the hardest part of an… More...
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Andrzej Sochon

Andrzej Sochon

Dear Sir, I am 55. I made two Son of Zen monoblocks in the summer of 1999, output power is… More...

Audio, Distortion and Feedback — Nelson Pass / 2008

Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...

Bride of Zen — Nelson Pass / 1994

This is the second installment of a trilogy of construction projects centered around the performance obtainable from absolutely minimalist circuitry. Part one described the Zen amplifier, a 10 watt single-ended class A power amplifier using a single MOSFET gain stage. In this piece we will examine its preamplifying mate, also a single gain stage MOSFET circuit. A lot of what I might say about this design has already been expressed in the Zen amplifier piece, and will not be repeated here. It is enough to say that I continue to be very intrigued by the sound of very simple topologies,… More...

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