Current Source Amplifiers and Sensitive Full Range Drivers — Nelson Pass / 2004

Conventional wisdom holds that a pure voltage source amplifier is ideal for audio applications, and generally designers of loudspeakers work to that assumption. This belief has particularly been dominant since the development of high power solid-state amplifiers that began in the 1960’s. A small minority of audiophiles thinks otherwise, and these are often people using low wattage tube amplifiers with unusual looking speakers. Well, of course entertainment is full of fringe elements. A couple of years ago, Kent English and I were playing around with various ribbon tweeters, noting how the ribbons themselves seemed perfectly happy being driven by a… More...

Single Ended Class A — Nelson Pass / 1995

Single-Ended Class A amplifiers have certainly hit it big in the four years since we began testing the first Aleph 0. So is this just another audio fad, or is there something fundamental about this kind of design, justifying a revival of the old approaches to amplification? When I started designing amplifiers twenty-five years ago, solid state amplifiers had just achieved a firm grasp on the market. Power and harmonic distortion numbers were the important thing, and the largest audio magazine said that amplifiers with the same specs sounded the same. We have heard Triodes, Pentodes, Bipolar, VFET, Mosfet, TFET… More...