About Pass DIY

Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.

What does Nelson Pass get out of this interaction?

“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little  differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”

The Kleinhorn Part 2 — Nelson Pass / 2004

If you saw part one of this project (AudioXpress, January 2005), you know that the KleinHorn is a big toy, and you can imagine that it’s hard to resist playing with it further. When Chris and Matt built the horns last year, they made different driver chambers and replaceable front baffles, so that it would be easy to try different loudspeaker drivers. In this part we will first briefly explore some of the effects experienced with different amounts of absorbent stuffing in the horn as presented in Part 1. Then I will describe the effort to add scary deep bottom… More...

The Zen Amplifier — Nelson Pass / 1993

I. "What is the sound of one transistor clapping?" There are two most essential principles to audio amplifier design. The first is simplicity. The second is linearity. Einstein said, "Everything should be made as simple as possible, but no simpler." Simplicity is a common element of the best and most subtle designs. It is preferred for purely aesthetic reasons, but also because fewer elements color the sound less, and lose less information. Many audiophiles, including myself, are willing to sacrifice other areas of performance to achieve the intimacy with the sound available through a simple circuit. An amplifier should be… More...

Leaving Class A — Nelson Pass / 2008

The meters on our amplifi ers are different. They refl ect the current consumption of the amplifi er, and when the amplifi er is operating, they don’t go down to zero like the meters on other amplifi ers. This is because the electrical current consumption of our circuits has a fairly high value at all times, a property called the bias. The bias current runs through the amplifi ers at a minimum value, determining the class of operation – Class B, Class AB, or Class A. Class B has no bias current, Class AB has a moderate bias current, and… More...

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