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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Thirteen years ago Pass Labs launched the D1, a dedicated Digital to Analog converter for high end audio. It was based on balanced PCM63 DAC chips with a current source output, which requires a separate current-to-voltage converter (known as an I/V) to turn its output into the voltage to drive other line level audio equipment. We didn't care much for the op-amp based solutions seen in the manufacturer's application notes and decided to approach this part of the circuit much differently. The PCM63, like other current output DACs, favors driving a very low impedance, preferably ground. You can easily create… More...
If you saw part one of this project (AudioXpress, January 2005), you know that the KleinHorn is a big toy, and you can imagine that it’s hard to resist playing with it further. When Chris and Matt built the horns last year, they made different driver chambers and replaceable front baffles, so that it would be easy to try different loudspeaker drivers. In this part we will first briefly explore some of the effects experienced with different amounts of absorbent stuffing in the horn as presented in Part 1. Then I will describe the effort to add scary deep bottom… More...
In Burning Amp 1 we examined an amplifier circuit designed to complement the hardware we gave away to some attendees at last October's Burning Amp Festival in the San Francisco bay area. This first design centered on a power output stage having of four banks of parallel N channel Mosfets. It was a single-ended Class A amplifier which delivered high quality sound with only local feedback. Burning Amp 2 will use virtually the same front end and power supply but coupled to complementary banks of N and P channel power Mosfets used as followers in a push-pull Class A configuration.… More...
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