About Pass DIY

Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.

What does Nelson Pass get out of this interaction?

“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little  differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”

The Legend of EL PIPE-O — Kent English / 2002

Most woofers just don’t quite do the lowest octave. You read the specs that say “usable response: 20 Hz – 20 KHz” and you know that the 20 Hz part of it is wildly optimistic. Achieving very low frequencies at reasonable power levels is not an easy job; the acoustic impedance experienced by a speaker cone declines as the inverse of the square of the frequency. As a practical matter, woofers and their enclosures need to be very large to properly reproduce the lowest octave. Even when you compensate with frequency equalization and more amplifier power, the performance suffers as… More...

Zen Variations 3 — Nelson Pass / 2002

In Part 2 we developed a new active current source for the Zen amplifier. In this part, we create a power supply regulator suitable for the Zen amplifier projects. Previous versions of the Zen amplifiers had no power supply regulation at all, or used capacitor/inductor/capacitor "pi" filters to smooth the ripple on the DC supply lines. In keeping with our philosophy of simple-aspossible, we want to develop a supply regulation system which gives us good regulation, with low AC noise and a stable DC value. The need for a good regulator is obvious enough. As simple as they are, the… More...

Balanced Zen Line Stage — Nelson Pass / 1997

The popularity of the Zen projects points out the interest in very simple linear circuits. They are intended to fuel that interest. The Zen, Bride of Zen, and Son of Zen have been explorations in how much objective and subjective performance can be achieved with a single gain stage. This extreme simplicity has an aesthetic appeal, which speaks to the purist in audiophiles, and the presumption that simple circuits sound better. At least one "objectivist" has complained (objected?) that the Zen projects do not measure up compared with more sophisticated and complex amplifiers. This is mostly true, but beside the… More...

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