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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Most audio power amplifiers use class A circuitry except in the drive and output stages, where they use class B or AB operating modes to achieve high efficiency. In class B and AB modes, the output stage operates in a pushpull configuration, where one set of output devices delivers positive voltage and current and another set delivers negative voltage and current. When one set is working, the other set is turned off. This scheme operates efficiently, but has two serious flaws, the extremely nonlinear characteristic of the transistors at the collector cutoff region and the turn-on/turn-off times of the devices.… More...
In Burning Amp 1 we examined an amplifier circuit designed to complement the hardware we gave away to some attendees at last October's Burning Amp Festival in the San Francisco bay area. This first design centered on a power output stage having of four banks of parallel N channel Mosfets. It was a single-ended Class A amplifier which delivered high quality sound with only local feedback. Burning Amp 2 will use virtually the same front end and power supply but coupled to complementary banks of N and P channel power Mosfets used as followers in a push-pull Class A configuration.… More...
Single-Ended Class A amplifiers have certainly hit it big in the four years since we began testing the first Aleph 0. So is this just another audio fad, or is there something fundamental about this kind of design, justifying a revival of the old approaches to amplification? When I started designing amplifiers twenty-five years ago, solid state amplifiers had just achieved a firm grasp on the market. Power and harmonic distortion numbers were the important thing, and the largest audio magazine said that amplifiers with the same specs sounded the same. We have heard Triodes, Pentodes, Bipolar, VFET, Mosfet, TFET… More...
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