About Pass DIY

Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.

What does Nelson Pass get out of this interaction?

“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little  differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”

Zen Variations 8 — Nelson Pass / 2005

Thanks to a nice person on the Pass Labs Forum ( www.diyaudio.com ), I became aware that high current power JFET transistors are again available. You can check them out at www.lovoltech.com which offers a small variety of high current N-channel vertical JFETs in TO-251 and TO-252 packages. They don’t hold a lot of voltage 20-24 volts) or dissipate lot of power (69 watts, derated at 1.8 watts/degree), but they do deliver up to 100 amps peak. Clearly designed as switches, they nevertheless offer a linear operating region and are attractive for audio amplifier design. Small signal JFETs are routinely… More...

Cascode Amplifier Design — Nelson Pass / 1978

Lowering distortion in power circuits without compromising their transient response remains a primary problem for designers of audio power amplifiers. Until fairly recently, the favorite technique for removing distortion components in linear amplifiers was to cascade many gain stages to form a circuit having enormous amounts of gain and then using negative feedback to control the system and correct for the many errors introduced by this large number of components. While the sum of these components' distortions may cause large complex nonlinearities, the correspondingly large amounts of feedback applied are generally more than equal to the task of cleaning up… More...

A75 Part 1 — Norman Thagard & Nelson Pass / 1992

READERS' REQUESTS FOR more power are reasonable, but not interesting enough to justify another article. Hanging some output transistors on the original and beefing up the power supply is best left as an exercise to the reader. While the A75 delivers more power, particularly into low-impedance loads, that is not the primary goal of this project. We wish to introduce more advanced concepts in amplifier design, including balanced inputs, dual differential inputs, true DC response, cascode and folded cascode operation, tiered and regulated supplies, operation with and without feedback, and details of designing with the new generation of power MOSFETS.… More...

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