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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
Here are some great project-submissions folks wanted to show-off. They don't directly correspond with a single PassDIY project, but we still fealt like they should have a home. Great work everyone! More...
U.S. Patent # 5,376,899 describes an amplifying circuit topology that takes advantage of the character of matched balanced amplifiers that are cross-coupled to provide cancellation of distortion and noise. The result provides high performance with very simple linear circuits and has been dubbed Super-Symmetry, an homage to particle physics, and is also known popularly as the X circuit. Super-Symmetry works by exploiting the complementary characteristics of matched balanced circuits to differentially reject distortion and noise, and applies a small amount of feedback to extend this symmetry, making the distortion and noise even more identical on each half of a balanced… More...
Most woofers just don’t quite do the lowest octave. You read the specs that say “usable response: 20 Hz – 20 KHz” and you know that the 20 Hz part of it is wildly optimistic. Achieving very low frequencies at reasonable power levels is not an easy job; the acoustic impedance experienced by a speaker cone declines as the inverse of the square of the frequency. As a practical matter, woofers and their enclosures need to be very large to properly reproduce the lowest octave. Even when you compensate with frequency equalization and more amplifier power, the performance suffers as… More...
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