The Pass A-40 Power Amplifier — Nelson Pass / 2000

FLATTERED BY THE opportunity to publish a project circuit, the designer is often beset by seemingly contradictory considerations. On the one hand, it is tempting to design a complex circuit as a demonstration of technical prowess; an amplifier with large numbers of esoteric components performing obscure functions. Such an amplifier might be a smorgasbord of electronic technique, featuring class A operation, cascoding, constant current sources, current mirrors, and extra-loop error correction. It would be fascinating to build and perhaps would also sound good. On the other hand, complexity is not a good end in itself and a much simpler circuit… More...

Audio, Distortion and Feedback — Nelson Pass / 2008

Audiophiles seem to revel in minor controversies – vinyl vs CD's, tubes versus solid state, capacitor, wires, magic dots... and negative feedback. At one extreme, the position is that “feedback makes amplifiers perfect”. At the other extreme, “feedback is a menacing succubus that sucks the life out of the music, leaving a dried husk, devoid of soul”. The former viewpoint usually belongs to so-called “objectivists” who have a fine appreciation for electronic theory and measurements. Their opposites would be the “subjectivists” who emphasize the listening experience and often own tube amplifiers. Accusations are occasionally made that objectivists can't hear, and… More...