Balanced Zen Line Stage — Nelson Pass / 1997

The popularity of the Zen projects points out the interest in very simple linear circuits. They are intended to fuel that interest. The Zen, Bride of Zen, and Son of Zen have been explorations in how much objective and subjective performance can be achieved with a single gain stage. This extreme simplicity has an aesthetic appeal, which speaks to the purist in audiophiles, and the presumption that simple circuits sound better. At least one "objectivist" has complained (objected?) that the Zen projects do not measure up compared with more sophisticated and complex amplifiers. This is mostly true, but beside the… More...

The Legend of EL PIPE-O — Kent English / 2002

Most woofers just don’t quite do the lowest octave. You read the specs that say “usable response: 20 Hz – 20 KHz” and you know that the 20 Hz part of it is wildly optimistic. Achieving very low frequencies at reasonable power levels is not an easy job; the acoustic impedance experienced by a speaker cone declines as the inverse of the square of the frequency. As a practical matter, woofers and their enclosures need to be very large to properly reproduce the lowest octave. Even when you compensate with frequency equalization and more amplifier power, the performance suffers as… More...