Previously Featured Builds

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Rene Thonissen

Rene Thonissen

I saw on Internet good reviews of the balanced line stage so I wanted to build one. To make the… More...
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Scott Gregory

Scott Gregory

After a failure of my CJ preamp, I was in the mindset to build a good sounding Solid State preamp.… More...

Pearl 2 — Wayne Colburn / 2010

Here is the long awaited sequel to the Pearl phono stage, named after my maternal Grandmother who was good with a sling shot , played piano and organ and occasionally listened to my early Hi-fi efforts if the smoke wasn't too bad. Pearl II addresses the major request received over the years - more gain for moving coil cartridges. Phono stage design is difficult to do well. Everything matters. Any low level phenomenon occurring in the parts of a phono stage shows up greatly amplified at the loudspeaker. This phono stage has about 55 dB gain at 1 Khz, and… More...

Zen Variations 7 — Nelson Pass / 2004

One of the performance issues raised by the original Son of Zen (Audio Electronics, #2, 1997) was its efficiency figure, which was charitably described as 4% (500 watts in, 20 watts out). You may recall that this was dictated by the original requirements - no feedback, no capacitors in the signal path, and a single gain stage. Zen Variation 6 relaxed the requirements on feedback and capacitors in order to provide a tutorial exercise about “super-symmetric” feedback. The performance was improved in distortion and output impedance, but the efficiency was only slightly improved, largely because we used most of the… More...

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