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Nelson Pass has been an early contributor to the audio DIY scene; It has been said that Nelson has a knack of explaining engineering things very clearly in a few words, and that he obviously enjoys doing it. He is also a very active contributor at www.diyaudio.com. Being very generous with advice, tips, and complete amplifier designs that people can build.
What does Nelson Pass get out of this interaction?
“I like to speak to the teenager (me) who wanted to know this stuff—that's my audience. There are always people who appreciate a decent explanation that gets to the meat and potatoes. I see it all as light entertainment with a little education thrown in. The academic paper approach has its place, but it seems intended for people who mostly understand the stuff already. If you want to communicate with DIYers, you depend more on colorful analogies, a little hand waving, and very little differential calculus. I get lots of personal satisfaction out of the whole enterprise. It gives me an outlet for some cool ideas and things that otherwise would stay bottled up, and I have an excuse to explore offbeat approaches purely for their entertainment value. Also, the process of communicating DIY stuff is a two way street—I would say I get about as much as I give. Nelson Pass”
The importance of phase response in the audio chain has been brought to greater focus recently by equipment claims of phase coherency, (the output signal has the same phase relationships as the input signal). It is not particularly obvious that two different frequency components of a signal can go into a device at precisely the same time and emerge at different times, but it is extremely common. All audio components distort the phase of the signal to some degree-even air alters the time alignment of a signal, but the biggest offenders are loudspeakers and their crossover networks. Phase shifts in… More...
Here is the long awaited sequel to the Pearl phono stage, named after my maternal Grandmother who was good with a sling shot , played piano and organ and occasionally listened to my early Hi-fi efforts if the smoke wasn't too bad. Pearl II addresses the major request received over the years - more gain for moving coil cartridges. Phono stage design is difficult to do well. Everything matters. Any low level phenomenon occurring in the parts of a phono stage shows up greatly amplified at the loudspeaker. This phono stage has about 55 dB gain at 1 Khz, and… More...
READERS' REQUESTS FOR more power are reasonable, but not interesting enough to justify another article. Hanging some output transistors on the original and beefing up the power supply is best left as an exercise to the reader. While the A75 delivers more power, particularly into low-impedance loads, that is not the primary goal of this project. We wish to introduce more advanced concepts in amplifier design, including balanced inputs, dual differential inputs, true DC response, cascode and folded cascode operation, tiered and regulated supplies, operation with and without feedback, and details of designing with the new generation of power MOSFETS.… More...
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